alrauna:
“St. Mary’s Basilica, Kraków. The altarpiece was carved between 1477 and 1484 by the German sculptor Veit Stoss (known in Polish as Wit Stwosz).
© Justyna Bruska (Alrauna)
Instagram / Flickr / DeviantArt”

alrauna:

St. Mary’s Basilica, Kraków. The altarpiece was carved between 1477 and 1484 by the German sculptor Veit Stoss (known in Polish as Wit Stwosz).

© Justyna Bruska (Alrauna)

Instagram / Flickr / DeviantArt

(via alrauna)

sosuperawesome:

sosuperawesome:

Sailor Moon Pins

Magical Maidens on Etsy

See our #Etsy or #Enamel Pins tags

@spyderqueen Sorry the wrong link was given here, the above is now correct!

(Source: sosuperawesome)

averagefairy:

must have been easier to be alive before news traveled so fast and you were only ever aware of a handful of tragedies instead of thousands and thousands of them being delivered to you on a daily basis. why is there even a question of why our generation is so depressed and anxious like I’ll tell you why?? everything i read breaks my heart and my capacity to empathize and be outraged is absolutely maxed out. yeah i’m sad bitch! we’re all sad! there’s no relief!

(via kiirsi)

pre-raphaelisme:

“Pray but one prayer for me ‘twixt thy closed lips, Think but one thought of me up in the stars. The summer night waneth, the morning light slips Faint and gray ‘twixt the leaves of the aspen, betwixt the cloud-bars, That are patiently waiting there for the dawn: Patient and colourless, though Heaven’s gold Waits to float through them along with the sun. Far out in the meadows, above the young corn, The heavy elms wait, and restless and cold The uneasy wind rises; the roses are dun; Through the long twilight they pray for the dawn Round the lone house in the midst of the corn. Speak but one word to me over the corn, Over the tender, bow’d locks of the corn.”

— William Morris, Summer Dawn 

(via notwiselybuttoowell)

words

thekimonogallery:
“Shinbashi Geigi 1870s. Two Shinbashi geigi (geisha) enacting a scene from the Kabuki play “Meido no Hikyaku” (Courier for Hell), about tragic lovers, Umegawa, a low-ranking courtesan, and Chūbei, a courier who steals money in order...

thekimonogallery:

Shinbashi Geigi 1870s. Two Shinbashi geigi (geisha) enacting a scene from the Kabuki play “Meido no Hikyaku” (Courier for Hell), about tragic lovers, Umegawa, a low-ranking courtesan, and Chūbei, a courier who steals money in order to buy her freedom. In some versions the couple are captured and killed, and in others they commit suicide.  Another carte-de-visite from the same period, shows a woman wearing an almost identical odori costume, named as a geigi from the Shinbashi geisha district in Tokyo.  Text and image via Blue Ruin 1 on Flickr

(Source: Flickr / blue_ruin_1, via notwiselybuttoowell)

oncanvas:
“ Élégante sur la plage (Elegant on the beach), Georges de Feure, circa 1901-05
gouache and pencil on paper
49.4 x 35.7 cm (19 ½ x 14 ⅛ in.)
”

oncanvas:

Élégante sur la plage (Elegant on the beach), Georges de Feure, circa 1901-05

gouache and pencil on paper

49.4 x 35.7 cm (19 ½ x 14 ⅛ in.)

(via artnouveaustyle)

tears-of-an-artist:

J.C. Leyendecker (1874-1951), american illustrator.

(via ashes-acedia)

whatevercomestomymind:

stuff-n-n0nsense:

assasue:

saxifraga-x-urbium:

systlin:

Something I find incredibly cool is that they’ve found neandertal bone tools made from polished rib bones, and they couldn’t figure out what they were for for the life of them. 

Until, of course, they showed it to a traditional leatherworker and she took one look at it and said “Oh yeah sure that’s a leather burnisher, you use it to close the pores of leather and work oil into the hide to make it waterproof. Mine looks just the same.” 

“Wait you’re still using the exact same fucking thing 50,000 years later???”

Well, yeah. We’ve tried other things. Metal scratches up and damages the hide. Wood splinters and wears out. Bone lasts forever and gives the best polish. There are new, cheaper plastic ones, but they crack and break after a couple years. A bone polisher is nearly indestructible, and only gets better with age. The more you use a bone polisher the better it works.”

It’s just. 

50,000 years. 50,000. And over that huge arc of time, we’ve been quietly using the exact same thing, unchanged, because we simply haven’t found anything better to do the job. 

i also like that this is a “ask craftspeople” thing, it reminds me of when art historians were all “the fuck” about someone’s ear “deformity” in a portrait and couldn’t work out what the symbolism was until someone who’d also worked as a piercer was like “uhm, he’s fucked up a piercing there”. interdisciplinary shit also needs to include non-academic approaches because crafts & trades people know shit ok

One of my professors often tells us about a time he, as and Egyptian Archaeologist, came down upon a ring of bricks one brick high. In the middle of a house. He and his fellow researchers could not fpr the life of them figure out what tf it could possibly have been for. Until he decided to as a laborer, who doesnt even speak English, what it was. The guy gestures for my prof to follow him, and shows him the same ring of bricks in a nearby modern house. Said ring is filled with baby chicks, while momma hen is out in the yard having a snack. The chicks can’t get over the single brick, but mom can step right over. Over 2000 years and their still corraling chicks with brick circles. If it aint broke, dont fix it and always ask the locals.

I read something a while back about how pre-columbian Americans had obsidian blades they stored in the rafters of their houses. The archaeologists who discovered them came to the conclusion that the primitive civilizations believed keeping them closer to the sun would keep the blades sharper.

Then a mother looked at their findings and said “yeah, they stored their knives in the rafters to keep them out of reach of the children.”

Omg the ancient child proofing add on tho lol

(via bob-belcher)

people have always been people

escapekit:

People Matching Artworks

French photographer Stefan Draschan has spent countless hours visiting different museums in Paris, Vienna and Berlin where he would wait for visitors to match with a piece of art.

Escape Kit / Instagram / Twitter / Minuscule / Subscribe

(via catseatcakes)

yajifun:

南紀徳川史;巻149;服制第3;服飾図式 堀内信 編 明治時代の写し(オリジナルは1901年に完成)

東京国立博物館デジタルライブラリー

※参照:南紀徳川史 - Wikipedia

※参照:元服#女性の元服 - Wikipedia “お歯黒を付けるが引眉しない場合は半元服と呼ばれた”

御簾中様御服 御元服後元日御服
左:御元服後平日午後御召替 右:御元服後五節句御服
左:御半元服同 右:御元服前元日御服
左:御元服前御平素 右:御元服前式日御服
左:御半元服御平常 右:御半元服

qrtrs:

9 loaves, the feline bakery! (click for hq)

(Source: courtdraws, via nowerewolves)